Catching up with Eden Sculpture's Co-founder

Let’s start with the name. Why “Eden”? How does it capture the spirit of your company?

The word eden has etymological roots in words like bliss and delight. I am drawn to the idea that those feelings can be elicited by a landscape. I am a true believer in the grounding peace of nature. Our work is inextricably linked with nature; from the materials our artists use and their creative inspiration to the placement of the works in outdoor spaces.

Whilst eden is a universal concept, it has deeply personal manifestations, and we believe our clients should be able to walk out into their own slice of eden every day.

How would you describe Eden Sculpture’s aesthetic? Are there particular themes, materials or moods that define your style?

We work with sculpture that harmonises with its environment through thoughtful design and material choice. Our artists work predominantly with natural materials like marble, wood and water. Abstraction is also a key part of our aesthetic - much of the sculpture picks up on the abstract qualities of nature.

Another significant part of Eden is sustainability and a commitment to environmental responsibility at every stage of the creative process. This mindset has influenced the aesthetics of the brand through the materials the artists use, which are often recycled or sustainably sourced. Our maintenance service ensures the longevity of the sculptures and continued harmony with their surroundings.

You began your career as a painter and later worked as an artist manager. How have those experiences shaped your vision for Eden Sculpture?

I have a fairly unique perspective as I have experienced both sides of the dynamic: as maker and as an artist manager. In a world that tends to favour selling quick and cheap, there is not enough support (even from a very early stage at degree level) to assist artists in the management of their practice, which is a slower and more organic process than the commercial backdrop sometimes allows.

Inevitably, they are required to handle all aspects of the process, from project conception right through to installation and ongoing maintenance. This puts a huge amount of pressure on artists and leaves them vulnerable to pinch points in the process, in terms of organisation, budget and project management. These challenges translate into problems for the client, which in turn becomes a problem for the artist.

In my experience, clients care deeply about an artist’s development. They are buying into the artist as well as the artwork. By working with Eden, clients are assured that the artist they are investing in has been supported to deliver the very best of their creative practice. Artists, by nature, often hate paperwork and would much rather be in the studio! We oil the wheels on both sides.

Can you tell us how Eden distinguishes itself from traditional galleries?

Throughout history, artists have been supported by various systems, from medieval guilds to apprenticeships, to wealthy patrons. These systems not only provided artists with a stable income but also a workshop, materials, regular projects and opportunities for growth, whether through apprenticeships or access to a patron’s network.

Today, very few of these support systems remain, and artists are expected to successfully run a business whilst maintaining their creative practice. Eden Sculpture fills this gap, ensuring fair pay, ongoing support and a genuine partnership that champions the artist at every stage.

What services does Eden offer?

Eden offers a personalised maintenance service to keep artworks looking their best year after year. We handle routine annual care, much like servicing a vintage car, so clients and artists don’t have to think about it.

Our Artist Management service removes administrative obstacles from an artist’s practice and is tailored to individual needs. Some require minimal support, while others rely on us for material procurement, third-party communication and acting as a direct link with clients to keep schedules and lead times running smoothly.

Eden also provides end-to-end project management rooted in a simple guiding question: why? This helps us understand each project fully and ensure that any commissioned artwork suits the client’s unique, often multi-layered landscape. We support artists and clients at every stage, from initial discussions to the long-term life of the piece.

What do you enjoy about your job as Director of Eden?

The best part of my job is twofold. Firstly, working with artists is such an exciting experience. My background in studio practice means that I am hugely engaged with the creative work of our artists; visiting their studios and talking about their work is a genuine pleasure, and I love discussing the concepts behind their practice.

Secondly, visiting our clients is a very enjoyable and social part of the job. Getting to know their wishes, the context of the project and the dreams for the space is a privilege — and the gardens tend to be beautiful too!

Finally, what’s next for Eden Sculpture? Are there any upcoming projects or directions you’re particularly excited about?

Our artists currently have many exciting commissions on the go, both for UK-based clients and internationally. Several of these projects are pushing creative boundaries, something I know is creatively invigorating and wonderful to watch and support.

We are also thrilled to be returning to Chelsea Flower Show in 2026. Last year, we had an amazing and highly productive week connecting with clients and designers. Next year promises to be even more special, with a bold new stand design and a collaboration that we can’t wait to share - watch this space!